Have you noticed how difficult it is to recreate the feeling, energy and magic of a live performance in a recording studio?
................................................The reason is simple, most artists and musicians relate much more easily to an audience, then to an empty room.
................................................ Are you a part of those who still think live recordings sound bad, compared with those made in studio?
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While retaining the spirit and energy of a live performance, my recording method and equipment allows me to record up to 24 tracks of the same quality professional recording studios can provide. In addition, the microphones used for the recording, are also some of the best and most appropriate ones for sound reinforcement (PA), much superior to what is found in the great majority of concert halls "sound kits", so making two hits with one stone...
In short, the advantages of my live recordings are:
Possibility to catch the magical stuff when it happens.
Fast and easy installation.
Superior sound reinforcement (PA).
Same sound quality as a professional recording studio.
Sufficient track separation, making necessary corrections possible.
Possibility to do the live sound (PA) myself.
Overall reduced costs.
Jim Williams microphone preamps (12) Alesis HDXR 24 tracks converters and recorder optimised by Jim Williams